تجلّی نقوش گرفتوگیر در فرش دوره صفوی
نویسنده
چکیده مقاله:
The hunting & animal patterns is indeed one of the most important & effective motifs which can be seen in Persian Art since ancient times. For a long period of time, these motifs (which include religious & old mythological concepts, and tell about the geographical & natural human being environment, as well as his own desires, his domineeringness, and struggle for survival), have been designed & accomplished in various subjects and to their perfections by man of those ages in different arts. The importance of the hunting & animal motifs has caused these particular motifs to be repeated at any age. Meanwhile these repeated patterns have kept their own concepts & specifications regarding the variety of animals and compositions and at the same time have been rendered in innovative styles. This paper is trying to deal with one of the hunting & animals patterns in Persian Art namely: “Catch & Take” pattern. It also introduces some samples from the ancient ages till Safavid era, and finally the manifestation of these patterns from viewpoint of verity of animals & compositions have been studied in some carpets of Safavid era.
منابع مشابه
مطالعه تطبیقی نقوش منسوجات و فرش مکتب اصفهان (دوره صفوی)
مکتب اصفهان از دوره های درخشان در تاریخ، فرهنگ و هنر ایران است. در این دوره هنرهای ایرانی از قبیل: خطاطی، نقاشی، فرش، معماری، منسوجات و دیگر صنایع ظریفه به اوج تکامل و تعالی خود در تمامی زمینه ها رسید. هنر فرش بافی در این دوره مانند دیگر هنرها به بالاترین مرحله شکوه و زیبایی خود در طرح و نقش رسید. طرح های باشکوه در این دوره به همت و تلاش طراحان بی نظیری تهیه می شد و سرانجام با هنرنمایی بافندگان...
15 صفحه اولمطالعه تطبیقی نقوش فرش سده نخست عصر صفوی با نگارگری همان دوره موردکاوی: مقایسه تطبیقی دو قالی
One of the prosperous periods of Persian commercial carpet industry is the Safavid era especially the 10th and 11th centuries (A.H.). Governments’ attention to arts and artists and expanding the facilities on the one hand, and willingness of other artists such as illumination artists and Persian painters’ to beautiful designs for carpets, along with the progress of the dyeing indust...
متن کاملریشهیابی و تطبیق نقوش بازتاب یافته فرش صفوی در نگارههای گورکانیان هند
As a result of expansion of relationships between Gurkanian (Indian Muquls) and Safavid Kings, we can see some impacts of Iran on Indian carpets, illustrations, architecture and related arts. Some of the motifs in carpets were spread to India during Gurkanian Era. This paper tries to find out the direct or indirect influences of depicted carpets’ motifs in Persian paintings on Indian arts...
متن کاملالگوهای هندسی در فرش صفوی
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متن کاملگفتمان باغ در فرش صفوی
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متن کاملتجلی نمادین اعداد در فرش دستباف
Carpet is one of the Iranian arts that is shaped in direct interaction with designers and weavers and therefore is a visual expression of their beliefs and ideas. This statement of beliefs, originates from the artist’s mentality influenced by culture, customs and religious teachings of society which is then traced on the vertexes of the carpet in different arrays and in the form of variou...
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عنوان ژورنال
دوره 4 شماره 9
صفحات 49- 62
تاریخ انتشار 2008-06
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